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The Patron Saint of Chester is St Werburgh
Chester Cathedral stands on the site of a seventh century Saxon Church, dedicated to St. Werburgh.
In 1092 Hugh Lupus (Hugh the Wolf) founded the Benedictine Abbey, and a new church in the Norman style was built, parts of which can still be seen. He invited Anselm, abbot of the church of Bec in France to help him with this task.
The remains of St Werburgh were transferred to the Abbey for safe keeping at the start of the Danish invasions in 875 from Hanbury. As a result the church became a place of pilgrimage.
The Church was rebuilt from about 1250 onwards in the Gothic style. This process took 250 years, resulting in the present building.
Due to the Dissolution of the Monasteries by Henry VIII, the Abbey was closed on the 26th July 1541, but the next year it became the Cathedral of the newly-created Diocese of Chester.
So, in this place of history and beauty, the worship of God has been offered for over a thousand years.
The Cathedral has its own shop. And it also has hand held guide devices. To help visitors find their way around the building.
The Cathedral has its own website. It can be located under
www.chestercathedral.com
On Northgate Street is the Abbey Gateway. Inside is Abbey Square and the entrance to the rear of the Cathedral.
Click on the picture for more information >>>

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Stop Number 4 on the Millennium Trail : The Bell Tower
On the South East of the Cathedral is the Bell Tower. Accessible from St Werburgh street via Bell Tower Walk. Which connects onto the City Walls. Designed by George Pace and Completed in 1974. It was the first free standing English Cathedral bell tower to be built for 500 years. It contains 13 bells, some dating from the 17th Century. The curfew bell is still in the Cathedral.
A Painting of Chester Cathedral from Cow Lane Bridge in the 18th Century.
A free walking guide is included in the admission price. Just put the earpiece on and move near the green guide ports to automatically hear the commentary.

Information Points
1 Introduction
2 The Bapistery (1140)
3 West End of the Nave
4 The Nave (1360 - 1490)
5 The North Transept (1100)
6 Cobweb Picture
7 The Chapter House and Vestibule (1200 - 1250)
8 The Chapel of St. Werburgh
9 The Lady Chapel (1250 - 1275)
10 The Quire (1280 - 1300)
11 The Crossing (1310)
12 The South Transept (1350)
13 MHS Chester Memorial
14 The Consistory Court
15 Scriptorium
16 The Cloister Garden
17 Lavatorium
18 The Refectory (1225 - 1250)
A The Undercroft (1120)
B The Chapel of St. Erasmus
The North Transept is also home to the famous 'cobweb' picture, made in the Tyrol.
The Cobweb picture.
There is a book of remembrance to the 22nd Regiment on view.
A stained glass window in the south transept.
The Chester Mystery Play Quilt. Created by the American artist B J Elvgren.
Tapestry from a Raphael Cartoon. Chester Cathedral Refectory
This tapestry was woven at the Mortlake tapestry works in the time of Charles I. From a cartoon, one of a set executed
by Raphael in 1515 for the Sistine Chapel.
The cartoons were bought in 1623 by Charles I when he was Prince of Wales and are now in the Victoria and Albert
museum. They are mostly scenes from the Acts of the Apostles. The tapestry came to Chester Cathedral in the 17th century
and up till 1843 hung at the east end of the choir as the reredos of the high alter.
It shows St Paul in the celebrated scene with the sorcerer Elymas in Cypress, his first missionary journey.
He strikes Elymas with temporary blindness for trying to prevent the Proconsul Sergius Paulus from accepting the
Christian faith. Sergius Paulus is the figure seated in the centre.
On the right is St Paul on the left Elymas. The figure of Elymas in Raphael's original cartoons has been described as one of the noblest in the whole of western art.
The Refectory Pulpit

The Chapel of St. Anselm is a small Chapel located at the rear entrance to the Cathedral. Accessible through and gate and across the roof of the Cathedral shop.
The Chapel of St. Anselm was built in circa AD 1150 as the private chapel of the Abbott of the Benedictine monastery. When the monastery became the Cathedral in AD 1541, it then became the private chapel of the new Bishop of Chester.
The Chapel lay in the angle between the Abbott's lodging to the west (where Barclays Bank is now) and the Abbott's hall to the north.
Originally it was one single room - at either end of the Chapel you can see that there were once windows; the one at the west end (by the entrance door) has been blocked in, and if you stand inside the wooden screen with your back to the altar you will see that the wall in front of you was clearly once an exterior wall and that the window has been knocked through to provide access to the chancel. You can still see evidence of the Romanesque ('Norman') Chapel in the body of the building - the simple half pillars on the walls and the particularly attractive window looking down into the body of the church are clearly part of the original structure which must have been of a simple but very attractive design.
On the 9th of May 1619, John Bridgeman was consecrated Bishop of Chester but he didn't arrive in Chester until the 14th of November 1620, and only took up residence in July 1623. Bishop Bridgeman is unusual because he took such an active part in the restoration of the Cathedral and the provision of new buildings. Amongst other things, he moved the Consistory Court to its present position, paid for the church to be whitewashed, built a new pulpit, provided a new font, restored windows, and built the two cottages just by the Abbey Square steps in 1626 for the 'singing men' of the choir.
He also altered his Chapel by adding an extension to accommodate the altar. This is the area beyond the screen, which is slightly off centre because of the buildings beneath. The ceiling was plastered in a typical Jacobean style and it is said that the same plasterers also worked in Bishop Lloyd's Palace in Watergate Street. The recessed area on the south (where the piano now stands) is probably the site of the Bishop's pew, tucked away from the gaze of the congregation, and indeed there is a small opening in the wall - known as a 'squint' - to allow the Bishop a full view of the altar when he was in his seat.
The altar rails are also early 17th Century, known as 'Laudian' rails after Archbishop Laud who resisted the removal of communion tables into the nave as advocated by the Puritans; the wooden screen is also typical of the period.
At the same time, the nave of the Chapel was given a new plaster ceiling, in a 'Gothick' style, copying the predominant style of the Cathedral. This is a very early use of this style and it does result in the rather odd blend of some typical Jacobean work combined with 'Gothick'! The ceiling boss nearest the screen is a 'Green Man' - an interesting survivor of a medieval story, although it is doubtful whether it would have had much relevance by the Seventeenth century - but it does make an attractive decorative feature.
Later in the Seventeenth Century, the Baptistery - which you can see by looking through the window - was turned into the Bishop's wine cellar, which probably explains the provision of a door in the south wall, which is now blocked up. Here you will find a carved wooden panel with a crucifix, possibly from a reliquary - the date of this piece is uncertain, although it is almost certainly medieval.
Sir George Gilbert Scott restored the exterior of the Chapel in the late Nineteenth Century and the stone parapet around the exterior dates from that time, but more extensive work was carried out under Desn Darby (1885- 1919) and again under Dean Bennett (1920 - 1937) who did so much to open up the Cathedral; more recently, new chairs have been provided and it has been relit and refurbished.
The Chapel is still used on special services and meetings, and represents a very tangible link with the monastic past of Chester Cathedral.
Nicholas Fry, September 2003.
There are some medieval grave slabs on the floor of the cloisters

This stone was found under the Chapter House floor in 1723. Covering the upper part of a coffin. The monogram S.R. is that of Abbot Simon Ripley 1485 - 1493, who finished the building of the central tower. In the coffin was a skeleton wrapped in black leather. In the eighteenth century the stone was thought to belong to Hugh Lupus the founder of the Abbey who died in 1101 because of the wolfs head on the stone.
Simon Ripley became Abbot in 1485. The stone dates from the late fifteenth century.
Detail from a doorway leading from the cloisters
A base of one of ten massive piers that line the Nave.


There are several Victorian 'Gurney' heaters scattered around.
When as a child I laughed and wept,
Time Crept
When as a youth I waxed more bold,
Time Strolled
When I became a full-grown man
Time Ran
When older still I daily grew,
Time Flew
Soon I shall find, in passing on,
Time Gone
o Christ, wilt thou have saved me them?
Amen.
Click on the Picture for more pictures of memorials in Chester Cathedral.
Mosaics on the north wall of the nave.
The north side of the nave.
Carved very faintly on the base of the northern most column is a 'nine mens morris' board.
Chester Cathedral Choir is noted for its fine wood carvings.
Click here for more pictures >>>

Choir stalls
The Choir
Iconoclast. This king figure was damaged by a sword blow in the 16th Century!

An Elephant. The artist had never seen an elephant!

The Chester Pilgrim


Contact: Mrs Julie Wheeler
Tel: 01244 311 586
Fax: 01244 313 155
shop@chestercathedral.org.uk
www.chestercathedral.org.uk
Why not try the Curiosities of Chester Page ? >>>