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12 Abbey Square
Cathedral 9am–5pm Refectory 9:30am–4:30pm
Cathedral 1pm–4pm Refectory 12Noon-4pm
On the South East of the Cathedral is the Bell Tower. Accessible from St Werburgh street via Bell Tower Walk. Which connects onto the City Walls. Designed by George Pace and Completed in 1974. It was the first free standing English Cathedral bell tower to be built for 500 years. It contains 13 bells, some dating from the 17th Century. The curfew bell is still in the Cathedral.
A Painting of Chester Cathedral from Cow Lane Bridge in the 18th Century.
A free walking guide is included in the admission price. Just put the earpiece on and move near the green guide ports to automatically hear the commentary.
2 The Bapistery (1140)
3 West End of the Nave
4 The Nave (1360 - 1490)
5 The North Transept (1100)
6 Cobweb Picture
7 The Chapter House and Vestibule (1200 - 1250)
8 The Chapel of St. Werburgh
9 The Lady Chapel (1250 - 1275)
10 The Quire (1280 - 1300)
11 The Crossing (1310)
12 The South Transept (1350)
13 MHS Chester Memorial
14 The Consistory Court
16 The Cloister Garden
18 The Refectory (1225 - 1250)
A The Undercroft (1120)
B The Chapel of St. Erasmus
The North Transept is also home to the famous 'cobweb' picture, made in the Tyrol.
The Cobweb picture.
There is a book of remembrance to the 22nd Regiment on view.
A stained glass window in the south transept.
The Chester Mystery Play Quilt. Created by the American artist B J Elvgren.
The Refectory Pulpit
The Chapel of St. Anselm is a small Chapel located at the rear entrance to the Cathedral. Accessible through and gate and across the roof of the Cathedral shop.
The Chapel of St. Anselm was built in circa AD 1150 as the private chapel of the Abbott of the Benedictine monastery. When the monastery became the Cathedral in AD 1541, it then became the private chapel of the new Bishop of Chester.
The Chapel lay in the angle between the Abbott's lodging to the west (where Barclays Bank is now) and the Abbott's hall to the north.
Originally it was one single room - at either end of the Chapel you can see that there were once windows; the one at the west end (by the entrance door) has been blocked in, and if you stand inside the wooden screen with your back to the altar you will see that the wall in front of you was clearly once an exterior wall and that the window has been knocked through to provide access to the chancel. You can still see evidence of the Romanesque ('Norman') Chapel in the body of the building - the simple half pillars on the walls and the particularly attractive window looking down into the body of the church are clearly part of the original structure which must have been of a simple but very attractive design.
On the 9th of May 1619, John Bridgeman was consecrated Bishop of Chester but he didn't arrive in Chester until the 14th of November 1620, and only took up residence in July 1623. Bishop Bridgeman is unusual because he took such an active part in the restoration of the Cathedral and the provision of new buildings. Amongst other things, he moved the Consistory Court to its present position, paid for the church to be whitewashed, built a new pulpit, provided a new font, restored windows, and built the two cottages just by the Abbey Square steps in 1626 for the 'singing men' of the choir.
He also altered his Chapel by adding an extension to accommodate the altar. This is the area beyond the screen, which is slightly off centre because of the buildings beneath. The ceiling was plastered in a typical Jacobean style and it is said that the same plasterers also worked in Bishop Lloyd's Palace in Watergate Street. The recessed area on the south (where the piano now stands) is probably the site of the Bishop's pew, tucked away from the gaze of the congregation, and indeed there is a small opening in the wall - known as a 'squint' - to allow the Bishop a full view of the altar when he was in his seat.
The altar rails are also early 17th Century, known as 'Laudian' rails after Archbishop Laud who resisted the removal of communion tables into the nave as advocated by the Puritans; the wooden screen is also typical of the period.
At the same time, the nave of the Chapel was given a new plaster ceiling, in a 'Gothick' style, copying the predominant style of the Cathedral. This is a very early use of this style and it does result in the rather odd blend of some typical Jacobean work combined with 'Gothick'! The ceiling boss nearest the screen is a 'Green Man' - an interesting survivor of a medieval story, although it is doubtful whether it would have had much relevance by the Seventeenth century - but it does make an attractive decorative feature.
Later in the Seventeenth Century, the Baptistery - which you can see by looking through the window - was turned into the Bishop's wine cellar, which probably explains the provision of a door in the south wall, which is now blocked up. Here you will find a carved wooden panel with a crucifix, possibly from a reliquary - the date of this piece is uncertain, although it is almost certainly medieval.
Sir George Gilbert Scott restored the exterior of the Chapel in the late Nineteenth Century and the stone parapet around the exterior dates from that time, but more extensive work was carried out under Desn Darby (1885- 1919) and again under Dean Bennett (1920 - 1937) who did so much to open up the Cathedral; more recently, new chairs have been provided and it has been relit and refurbished.
The Chapel is still used on special services and meetings, and represents a very tangible link with the monastic past of Chester Cathedral.
Nicholas Fry, September 2003.
The Exhibition Library was originally the King;s school Library until 1960 when the school moved to its present buildings outside Chester. The King's School designed by Sir Arthur Blomfield was built in 1877 on the site of the old Bishop's Palace.
The long run of shelves came from the Chapter House and now contains most of the pre-1700 printed books that used to be in the Muniment Room above the South West porch. They have been conserved and restored by grants obtained by the late Canon Roy Barker, Canon and Cathedral Librarian during the 1980's and 1990's.
The six Arts and Crafts sloping-top cases were made for the Chapter House in 1896-98 and now contain 18th century printed books as well as some 19th and 20th century volumes including the Early Fathers, a Braille bible and a collection of early 19th century Sunday school books.
The bookcase near the entrance contains 18th century books and the invaluable collection of books by clergy connected with Chester from the 17th century, given by Revd Fancis Sanders, Vicar of Hoylake in the 1920s. These include for example works by Bishop John Wilkins, John Pearson, Fancis Gastrell and William Subbs.
The John Rylands Library of Manchester University generously gave the three large exhibition cases in 2003. They now contain some of the Treasures of the Library mentioned by Professor Philip Alexander in his lecture at the informal opening of the Library in February 2007.
The twelve portraits are of some of the Deans of the Cathedral from 1682 to 2001.
The two medieval rooom above St Anselm's Chapel (which are not open to the public) contain the 19th and 20th century books as well as many about the history of the City, Cathedral, Diocese and old county of Cheshire. There are also books on permanent loan from the King's School, books by Charles Kingsley from the city Library and the personal library of Bishop William Jacobson (1865 - 1884) bequeathed to the See of Chester.
The late Canon Roy Barker as Canon and Cathedral Librarian gathered a group of volunteers to work in the Library, raised grants for conservation and a one-off heritage grant in 2000 to create the Exhibition Library and make a physical connection between the three Library rooms. Completion was delayed while the Choir used the area until the new Song School was completed.
Cataloguing and conservation has taken some 25 years under the specialist direction of Dr Derek Nuttall, MBE, Curator of Early Printed Books, aided by Mrs Mary Higson and Mrs Shirley Pargeter.
Dr George Chivers - Cathedral Librarian
Canon Dr Trevor Dennis - Canon Librarian
The Library is available for academic research (at no cost) and group visits can be arranged at a small charge. Visits to the Library can be combined with a tour of the Cathedral and or refreshments in the Refectory.
Arrangements to visit and or use books for consultation may be madethrough Mr Nick Fry at the Cathedral Office 01244 500 958.
The Cloisters contain many fine stained glass windows.
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St Alban “Because it's there.” Mallory wasn’t the first to feel the strange allure of the world’s highest mountain and many people since have found its challenge equally irresistible.
George Mallory and Andrew Irvine memorial window
In an interview with The New York Times in March 1923, George Mallory was asked why he wanted to climb Everest. His reply became a part of mountaineering folklore. He said:
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“Because it's there.”
Mallory wasn’t the first to feel the strange allure of the world’s highest mountain and many people since have found its challenge equally irresistible.
There are some medieval grave slabs on the floor of the cloisters
This stone was found under the Chapter House floor in 1723. Covering the upper part of a coffin. The monogram S.R. is that of Abbot Simon Ripley 1485 - 1493, who finished the building of the central tower. In the coffin was a skeleton wrapped in black leather. In the eighteenth century the stone was thought to belong to Hugh Lupus the founder of the Abbey who died in 1101 because of the wolfs head on the stone.
Simon Ripley became Abbot in 1485. The stone dates from the late fifteenth century.
Detail from a doorway leading from the cloisters
A base of one of ten massive piers that line the Nave.
There are several Victorian 'Gurney' heaters scattered around.
When as a child I laughed and wept,
When as a youth I waxed more bold,
When I became a full-grown man
When older still I daily grew,
Soon I shall find, in passing on,
o Christ, wilt thou have saved me then?
Mosaics on the north wall of the nave.
The north side of the nave.
Carved very faintly on the base of the northern most column is a 'nine mens morris' board.
Chester Cathedral Choir is noted for its fine wood carvings.
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Iconoclast. This king figure was damaged by a sword blow in the 16th Century!
An Elephant. The artist had never seen an elephant!
The Chester Pilgrim
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